Saturday, April 5, 2014

the f-bomb, a tautogram for Oulipost


February


facing Friday’s fire,

                               first:
files, found files; feel
far (files, files, files
from files), far; 
                         feel
final….
for felons/family.



Source Ward, Mike, and Hassan, Anita. "29 Sex Felons Vacating House.’" Houston Chronicle 5 Apr. 2014: A1, A12.


Note:
I decided to limit myself to one article and this one jumped out at me. Probably, in part because this is a continuation of a story I used in another found poetry a couple of days ago. Also, I like the f-sound, which is another reason this probably leaped out at me.


Here is the prompt I was responding to. Short and sweet, which is at least half like my poem:
 
Compose a poem whose words — or at least the principal ones — all begin with the same letter. The words must be sourced from your newspaper.

Friday, April 4, 2014

*you* you know...a fibonacci poem for Oulipo


You you know
 
 
you you know;

your honeymoon-
                          trouble;

dance-alley on,
life disappears.

 

 

Source (a sentence, within)
Darling, Cary. "Honeymoon Goes Awry in Fast-Paced ‘In the Blood.’" Houston Chronicle 4 Apr. 2014: E4.
 

Note:
This was a surprising amount of work. Not producing this poem, as will be obvious, but selecting it. It’s the product of a Fibonacci sequence, in this case (1-1-2-3-5-8-13-21-34-55-89-144) of found words. This means a lot depends on the first sentence of the article. Eliminating a lot of obvious non-starters left a variety of options, none of which panned out as well (?) as this one did.


Here is the prompt I was responding to:


In a Fibonacci sequence, each term is the sum of the two terms immediately preceding it; typically with 1 as the first term: 1, 1, 2, 3, 5,8, 13, 21, 34, 55 and so on.
Select an article from your newspaper and create a poem using the words that correspond with the numbers in the sequence. Your poem will take the form of first word, first word, second word, third word, fifth word, eighth word, thirteenth word, etc. You can continue until you’ve run out of words in your article or until you’re happy with the poem’s conclusion.

 

Thursday, April 3, 2014

Definitional poetry: a cardinal number, ten times three


a cardinal number, ten times three



a negative used to express
denial or refusal:
acting as a single unit
used to indicate duty, propriety.
 
to possess a distressing emotion
aroused by impending evil, pain,

etc.; that people in general
(about, or going to)-
roused from sleep toward a more
elevated position;
 
and, to come upon by chance
(at that point in an action, speech,
etc.): a second person, singular.
 
of be; a set of this many persons
or things: an unjust exertion,
division of the species,
coitus!!!: to irritate, annoy or cause
resentful displeasure, vigorous,
immediately following-
in time- movable, usually solid…
 

 

Source (a sentence, within)

Ward, Mike & Hassan, Anita. "Neighbors Outraged Over Sex-Offender Home.’" Houston Chronicle 3 Apr. 2014: A1.

 

Note:

I kind of enjoyed this, and this will likely require multiple readings if making sense is a thing you want in what you read. I started with a single, albeit long sentence, which is also a quote within the article. (I had planned on starting with a very short sentence and then letting things flower more fully, but this sentence leaped out at me on the front page and I couldn’t really resist seeing what it would become).



In essence, I kept the definition of each word, or rather I selected definitions of the word and then trimmed some non-essentials, while keeping the definitions from the online dictionary intact, albeit trimmed. I *did* play around quite a bit with punctuation and spacing. This definitely embodies the notion that you don’t stop revising, you just eventually give up.



The sentence I started with was “No one should have to fear they will wake up and find 23 violent sex offenders living next door.” The article itself began with the phrase “Thirty sex offenders…” I liked the definition for thirty, so used it as the title of the poem.



The poem seemed to move from the particular and likely idiosyncratic to what may be a much more common description of human interaction and life.





Here is the prompt I was responding to:

 

Select a single sentence from a newspaper article. Replace each meaningful word in the text [verb, noun, adjective, adverb] by its dictionary definition. Repeat this treatment on the resulting sentence, and so on, until you’ve had enough! Note that after only two such treatments with a relatively compact dictionary, even a two-word sentence can produce an accumulation of 57 words.

Wednesday, April 2, 2014

5-4-3: A lipogram for Oulipost


5-4-3

 

2012:

Pam, my Pam
a.m., p.m.,
bad day? Pam
my Pam-Pam



2013:
$600 a day,
bad FM, a.m., p.m.,
$600 a day, bad
FM, a.m., p.m.-
A jam, a bad day,
Pam-Pam? My bad.
Pam? Pam?
 
2014:
my day: bad
day by day
day by bad bad day
Pam
Pam
Pam
 
Sources (All from today's Houston Chronicle)
Sewing, Joy. "A Beauty Contest for Women ‘on Wheels.’" Houston Chronicle 2 Apr. 2014: E1.
Solomon, Jerome. "Yes, It’s Just One Victory but the Vibe is Different." Houston Chronicle 2 Apr. 2014: C1.

 
Note:
This was a lipogram. Essentially, I can’t use any letter than appears in the title “Houston Chronicle.” As it turns out and is probably glaringly obvious, this means I was limited to one and a half vowels, which didn’t make for a very rich repertoire of words. I include numbers where they appeared in the articles as words. Almost any article would have produced a similar very small list of allowed words, but I couldn’t resist these two articles, which are both very cool in their own right.
 
I should also say that I had a list of words I was planning to build off of, but they simply didn’t appear at all in today’s paper. (baby, payday, were what predominated in my mind. But perhaps I can just send that hypothetical poem to Justin Bieber.)
 
Here is the prompt I was responding to:
 
A lipogram is a text that excludes one or more letters of the alphabet. The ingenuity demanded by the restriction varies in proportion to the frequency of the letter or letters excluded. For this initial exercise, you will compose a poem using only words that can be formed from letters that are NOT found in the title of your newspaper. For example, if you are working with the Washington Post, you must avoid using words that contain the letters A, G, H, I, N, O, P, S, T and W.

 

Tuesday, April 1, 2014

Oulipost 1: Quote Cento: the old rule book

the old rule book


the man went crazy and said, “…too heavily;
food is clearly part of the reason. Hold
the line” like something out of a horror
movie
               and she did what she had to do:
another method of revenue, a strong
sense of belonging, trust; many years away.




Sources (All from page B2 of today's Houston Chronicle)
Fechter, Joshua. "Comptroller's Race Targets Taxes." Houston Chronicle 1 Apr. 2014: B2.
O'Connor, Kyrie. "In Good Health? You Likely Have Insurance." Houston Chronicle 1 Apr. 2014: B2.
Rogers, Brian. "Scene Where UH Prof Died a 'Horror Movie'." Houston Chronicle 1 Apr. 2014: B2.


Note:
This is my first of a month of found poetry. This is a cento made of quotes from a couple of newspaper articles. In general, I am trying to avoid having the poem reflect the content of the articles in terms of theme; I generally managed that, although this one is also about relationship. It has a little bit of a narrative line through it. The title, like all of the poem, comes from the articles, and quotes within the articles.


Here is the prompt I was responding to:


When composing a cento, poets take lines from existing poems (traditionally without any alterations) and patch them together to form a new poem. Today, create a cento using only quotes referenced in newspaper articles. For example, if a newspaper article contained the line “It was a tragedy,” commented Detective Smith, the line, “It was a tragedy,” would be available for you to use in your poem. While you can’t change anything within the quotes themselves, you may choose to break a longer quote in half or use just part of a quote as needed.





Thursday, March 13, 2014

Oulipost preview! boys, boys, boys.

The oulipost exercise starts in April, but I wanted to share my warm-up exercise.


here is the assignment:


TAUTOGRAM...
Compose a poem whose words -- or at least the principal ones -- all begin with the same letter. The words must be sourced from your newspaper.



This is what I did with that. It's probably not Shakespeare, but it's a start.





boys, boys:
behind Bellaire, Brandon
Buckley becoming Big Bird
bit by bit, but better,
brighter; back behind Bellaire

 
SOURCE:  Bellaire boys tracksters encouraged by early-season results, Houston Chronicle March 12







Monday, March 10, 2014

Five Questions (and roughly the same number of answers) about Oulipost

So, I am super psyched to be participating in Oulipost this year. See here for details and an explanation. In short, it's an experimental form of poetry creation.




http://www.foundpoetryreview.com/oulipost/




April will be pretty busy on this blog, so be sure to check back often. The assignment is to respond every day in April to one of the prompts, so be prepared to be surprised and amazed and enthralled each day you read this blog.




In any case, on to the starting five questions about Oulipost






1. WHAT EXCITES YOU ABOUT OULIPOST?


My writing has always been pretty "traditional" which among other things means that it lacks some of the surprise and whimsy that I like in other people's writing. I very much like the idea that artificially imposed structures can actually free you up to be creative. And there's nothing more artificially imposed, I suspect, than Oulipost. This is kind of a cool chance for me to see how I respond to structure, with some public accountability attached that will ensure I stick with it.




2. WHAT, IF ANYTHING, SCARES YOU ABOUT OULIPOST?


The distinct possibility that on a given day I won't be able to produce anything that doesn't suck, and won't be able to do what I usually do in such cases, which is keep it to myself.




3. HAVE YOU WRITTEN EXPERIMENTAL OR FOUND POETRY BEFORE? IF
SO, TELL US ABOUT IT.


Never, ever, ever.



4. WHAT NEWSPAPER WILL SERVE AS YOUR SOURCE TEXT?


The Houston Chronicle, which I'll access and consume at my local starbucks and do my initial response there as well.




5. WHO’S YOUR SPIRIT OULIPIAN?


Ummm... Burt Reynolds?