A better kind of rejection.

This year of long distance is just about as unpleasant as I expected it would be. The less said the better, but it's almost half over.

In terms of writing, things are limping along. The novel is going slowly, but going. Every time I write a little more, the story changes a bit, which keeps me interested, and occasionally surprised. A Good Thing.

Poems are less frequent, but probably a little better. Several of them, and the short story are off and being read.

I got a form rejection letter from one journal, and literally the next day learned that it had shuttered. I only hope that it wasn't the sheer mediocrity of my work that made the editors decide to chuck and go get an MBA or whatever.

I also sent two poems in to a different journal. Not my absolute best work, but fitting with the theme of an upcoming issue. I got a gentle rejection, which is progress. Up next, half-hearted rejections.

In the mean time, I am also getting back into the swing of reading.

Rejection

There's been a long silence here, and there has been in most of my writing life. I still write, and still write stuff I like a lot. But it's been a really dry stretch in terms of convincing other people to like it.

Since my poem in Relief, I have been rejected by the Antigonish Review, Off the Coast, Crazyhorse, and (this time) Relief.

Closure is always nice. Off the Coast sent me a nice brief note, saying I was recommended but didn't make the cut. Antigonish Review's rejection consisted of "oh, yeah, well, you're not here in our list of poems we're publishing so that probably means the poetry editor decided against you." Gee, thanks.

Didn't I get married just to avoid this kind of thing?

My first published poem

So, this poem appeared in the journal Relief, which bills itself as "A Quarterly Christian Expression." It's not explicitly Christian, but then a fair bit of what they publish isn't so either.

The theme of the issue was supposed to be love and war. Well, I guess that's about right. I always remember fencing as being something of a battle, and I hope this conveyed that.

The other thing that was interesting to me. Neither my wife nor the other couple of friends who read this before I submitted it knew what a maul was. I guess that's a point for the fact that my experiences don't generalize nearly as much as I might think they do. (For the record, a maul is kind of like a sledgehammer. But 'sledgehammer' would have seriously messed with the meter. And evoke Peter Gabriel).

The ending rhyme kind of snuck up on me, but I really felt it was inevitable.

In any case, here it is:


And he the maul

We’d start it once the frost was gone
He’d cut the posts and sharpen them
I’d peel the bark- slough it off
In white strips dripping sap
(My hands too cold to feel their pull).
And then I’d paint them creosote
While he changed gas and filed the saw
Half as big as me.

We’d drive as far as we could go
And then we’d hike the rest-
He with his six posts, I with four,
I with the bar and he the maul.
It was still damp and gray;
The woods were dark.

Above, the sun, and with it flies
Black clouds that pulsed and
Hummed our blood.
We’d never speak-they’d fill
Eyes, mouth, and nose;
They’d drown in sweat
Then coat the skin.

I’d think to stop, or swat, or spit
I don’t know what he thought
The maul was sharper than their song
He’d have a blackened crown of grime
That pressed into his eyes
The nearest thing I’d see to tears-
My father weeping flies.